Tuesday, July 10, 2012

THEORIES OF ENTREPRENEURSHIP



KNIGHT ON THE ROLE OF UNCERTAINTY

Knight identifies the entrepreneur as a recipient of pure profit. Profit is the residual income available after all contractual payments have been deducted from the revenues of the enterprise. It is the reward to the entrepreneur for bearing the costs of uncertainty.

Knight identifies uncertainty with a situation where the probabilities of alternative outcomes cannot be determined either by a priori reasoning or by statistical interference. A priori reasoning is simply irrelevant to economic situations. Statistical interference is impossible because the situation involves a unique event. It does not belong to a larger population of identical events. In particular there is no precedent for it, so that no assessment of probability can be made on the basis of relative frequency. This is the foundation for Knight’s distinction between uncertainty and risk.

Uncertainty is a ubiquitous aspect of business decisions because production takes time. Decisions on inputs must be made now in order to create output for the future. Households as factor owners demand spot payment for their services. At the same time they are unwilling to commit themselves on future demand for the product because they anticipate that unforeseeable changes will occur.

But the consumer does not even contract for his goods in advance, generally speaking. A part of the reason might be the consumer’s uncertainty as to his ability to pay the end of the period, but this does not seem to be important in fact. The main reason is that he does not know what he will want, and how much, and how badly. Consequently, he leaves it to producers to create goods and hold them ready for his decision when the time comes. The clue to the apparent paradox is of course in the law of large numbers. The consolidation of risks (or uncertainties). The consumer is to himself only one to the producer he is a mere multitude in which individuality is lost. It turns out that an outsider can foresee the wants of am multitude with more ease and accuracy than an individual can attain with respect to his own. This phenomenon gives us the most fundamental feature of the economic system, production for a market.

Knight is mainly concerned to show how markets, together with institutions such as the large corporation, contribute to specializing uncertainty-bearing in the hands of those best equipped to make decisions under uncertainty. The main quality required for making production decisions is foresight they have, and competition ensures that individuals with the greatest degree of foresight (relative to other abilities) specialize in making production decisions.

However, it does not follow that individuals with foresight will become selfemployed and make decisions on their own behalf. They may instead become managers of a large firm. Knight argues that business uncertainty can be reduced through ‘consolidation’. Consolidation is to uncertainty what insurance is to risk: It is a method of reducing total uncertainty by pooling individual instances and allowing each individual to hold a share of the pool. It is widely recognized today that an individual’s exposure to uncertainty can be reduced through portfolio diversification in the equity market. Knight recognizes this possibility which he calls ‘diffusion’ but he does not accord it much prominence as a vehicle for the reduction of uncertainty. He believes that uncertainty is reduced mainly through the pooling of uncertainties by the large firm.

The gains in uncertainty- reduction from large scale organization are, in Knight’s view, quite considerable. So much so, that the most important uncertainties relate not to producing for a market itself, but to the selection of suitable mangers to take production decisions. Once the firm has recruited a person with foresight much of the uncertainty in producing of a market is eliminated. The crucial decisions made within the large firm are decisions about personal recruitment. The pure profit generated by a firm is compensation to people for bearing uncertainty that they have delegated decisions to the wrong sort of person.

Knight does not seem to anticipate that there will be much difficulty in ensuring that managers with foresight exercise it properly on the stockholders behalf. The moral hazard problem is negligible. Presumably, because close supervision of the manager is possible. Much greater moral hazard arises with the directors of the firm who recruit the managers and supervise them on the stock holder’s behalf. The unavoidable moral hazard involved in delegating direction means that directors cannot possibly be fully insured against the consequences of their decisions. They must operate under profit related incentives and so effectively they must become stock holders in the firm. Thus, directors who make decisions under uncertainty also bear the consequences of those decisions and are ipso facto recipients of pure profit.

Some people have good judgment of other people’s abilities and others do not. But no one can be certain of his or her own judgment of other people’s abilities. As a result, confidence in his own judgment is perhaps the most important characteristic of the entrepreneur. This has to be coupled with a low version to risk, as reflected in a disposition to back up his judgment with his own capital. The elasticity of supply of self- confident people is, in Knight’s view, the single- most important determinant of the level of profit and of the number of entrepreneurs.

The income of nay particular entrepreneur will, in general, tend to be larger
(i)                 as he himself as ability and good luck but (ii) perhaps more important , as there is in the society a scarcity itself- confidence combined with the power to make effective guarantees to employees. The abundance or scarcity of mere ability to mange business successfully exerts relatively little influence on profit. The main thing is the rashness or timidity of entrepreneurs (actual and potential) as a class in bidding up the prices of productive services. Entrepreneur’s income, being residual, is determined by the demand for these other services, where demand is a matter of the self- confidence of entrepreneurs as a class, rather than upon a demand for entrepreneur services in a direct sense. We must see at once that it is perfectly possible for entrepreneurs as a class to sustain a net loss, which would merely have to be made up out of their earnings in some other capacity. This would be the natural result in a population combining low ability with high courage. On the other hand, if men generally judge their own abilities well, the general rate of profit will probably be low, whether ability itself is low or high, but much more variable and fluctuating for a low level of real capacity. The condition for large profit is a narrowly limited supply of high- grade ability with a low level of initiative as well as ability.
(ii)                
(iii)             Knight’s analysis exhibits very clearly the difficulties in theorizing about entrepreneurship, and in particular the problems of structuring the analysis in a coherent way. As a result, Knight’s views have been widely misinterpreted in the past. Many parts of the present work are simply a reformulation of ideas first presented by Knight. The concepts of probability and judgment are slightly different but the basic view of the way that market system allocates judgmental decision- making to entrepreneurs is the same both in cases.

Activities Comprising Creative Design task Process


Although there is no one set form for designing the process. There are various variables that are typically parts of the creative design process. These activities are:

(1) Advertising objectives- The main objective of advertising is to aid the selling process through communication with existing and prospective customers.
Most advertisements inform and persuade. Some are designed to establish attitudes and buying behaviours of the patterns. Still others strive to reinforce or to change existing shopping habits brand images and usage patterns. The advertisement copy must achieve the advertising communication objectives. Now, it is the responsibility of the creative specialists to translate the information available to them into an advertisement or a basic theme for an advertising campaign that will achieve the advertiser’s objective.

(2) Information to creative People_ The second task of the creative people, after getting the advertising objectives, is to product for collecting the various information relating to the product and the marketing mix. Creative design people prepare for the design task by examining the information on the product which is to be offered in the advertising. This makes for the integration of advertising messages with the other components of the marketing mix. Such types of information may be gathered in meetings between the creative personnel and the marketing managers for the product..

(3) Target Audience- The next step in the creative process is to make the copywriter available description of the demographic and psychographic makeup of the specific target audience for whom the ad is being created vis-à-vis the product. Quantitative data such as age, sex, marital status, occupation, income, education, place of residence, must be supplemented by information on consumer attitudes (related to advertised product, and its competitors as well as to the types of creative claims being considered for the message)on relevant media, shopping and buying habits and on product usages. Thus any information that describes target audience is useful.

(4) Copy and Layout Design- The next task before the creative personnel is to turn to the creative task which is the design of the copy and layout. Creative personnel, including, artists, art directors, and copy writers, must desig an approach to the communication of the messages that carry pre-determined advertising objectives. Part of the process involves writing copy, the verbal text of the advertisement. The copy then must be integrated with illustrations into an overall design for the advertisement’s layout. The design of the copy and the layout is an art that requires special skills..

(5) Credibility or Back-up Claim_ whatever message is designed, it must be a cluster of truth. Truth is essential in advertising. The truth is not truth until people believe in it. They cannot believe in it if they do not know what we are saying if they do not listen to us; they cannot listen to us unless we are interesting and finally we cannot be interesting if we say facts in a fresh, original and imaginative way. In order to establish credibility for our promises, we need to support it with facts and with satisfactions. So, truth is essential in advertising and must be supported with facts.

(6) Copy Layout Tests- The role of creativity in advertising is very important and should not be underestimated. An important aid to the creative design task is the use of copy layout tests to assess and compare alternatives. After the copy layout is released, samples can be drawn from target audiences to test its effectiveness in specific conditions. Then respondents are asked to give their opinion on the various aspects of the ad including how well it can be seen or read or heard under specific conditions, how quickly and easily the message can be understood, how interesting an ad is liked, how believable it is or how it will influence audience behaviour.

(7) Allocation to Creative Task- The next important task to creativity is the allocation of funds towards this task. Since there is little in the way of modeling effort to help in this decision, the allocation task is usually done judgmentally.

(8) Creative Strategy and Tactics- Finally every copy strategy must describe the mood and tone of all the forthcoming ad or commercial; cheerful, dramatic, business like and whatever. All types of written materials, such as art work, layout and script must be used as components of printed or broadcast advertisements. Thus, creativity in advertising is the most important part of the advertising programme. It is an art and should be provided sufficient funds in order to achieve the business and marketing objectives.

CREATIVITY IN ADVERTISING


The creative part of advertising involves the process of selecting and presenting the messages. The business of conceiving. Writing, designing and producing these messages is called “advertising creativity” and the key wordsmith is called a copywriter or copy chief or copy supervisor. The success of advertising depends to a great extent on the quality of the message or copy of advertisement rather than the money spent on advertising. The conventional theory of advertising includes the concept of AIDA (Attention, Interest, Desire and Action). 

Most of the advertisers believe that the message in advertisement copy must attract the attention and interest of the consumer if buying is to result. But they forget that only good advertisement copy or good message can attract the attention and interest of the receiver until and unless the much advertise product attributes have a strong impact on consumers. The consumers come to know the existence of the product only through the advertisement. Advertising tries to persuade the consumers that they need the product. But if the product attributes fail to satisfy the need of buyers, good creativity will not pay.

Creativity is an art. An artiste, writer, poet, novelists, play writer takes well known ideas, words and phrases and relates them in a fresh, often brilliant manner while preparing an advertising copy. They combine the product attributes and the ideas, words and phrases in such a manner that persuades the consumers to buy the product. This combination really represents and art or a creativity. A child can draw a smiling picture of a woman, but it does not carry a creative message of someworth.

The advertising copy writer writes with a purpose to achieve client’s objectives to express features or attributes of particular products and services, presented in terms of consumer benefits and in the language most appropriate to defined target audience. Thus advertising messages should present merchandise in ways that interest people in buying. Print ads and broadcast commercials portray products as problem solvers or methods whereby wants and needs may fulfilled.

When creating, copy writer builds messages according to specific plans, to fulfill specific objectives, and he should follow a disciplined way in creating them. In the words of Alfred Polite –“Advertising creativity has to follow rules which are guided by a well defined purpose, by an analysis of thoughts supplied by imagination, by a selection of the useful ones which meet the purpose.

Elements of a Advertisement layout


An advertising copy is the means by which the advertiser’s ideas are given expression to in a message to readers. Regardless of its length and brevity copy refers to all the reading matters of an advertisement, including the headline, sub- headlines, text or body, and the name of the firm or the standard initials of the advertiser. As we have seen that advertising has so many immediate purposes but its ultimate goal is to stimulate sales. As a reader turns the pages of a magazine or newspaper, he notices so many advertisements but a great variation in copy. Some copy may be so sticking that the reader takes immediate action and rush to the nearest dealer to purchase it while there may be some other copy or copies that he does not like or it does not click to his mind. The first copy conforms to the requisites of a good copy. A copywriter must take pains in making up a sound advertisement copy containing its various components i.e. headlines, subhead lines, illustrations etc.

The following are the main components of an advertisement copy
1. Background
2. Border
3. Caption
4. Coupon
5. Decoration
6. Heading
7. Illustration
8. Mascot
9. Name Plate
10. Price
11. Product
12. Slogan
13. Space
14. Sub-heading
15. Text
16. Trademark

1. Background
The background for the advertisements should be somewhat catchy and colourful. The arrangement of background differs from medium to medium and advertisement to advertisement. In short, background should be suitable for the contents of the advertisement.

2. Border
It is defined as the frame of the advertisement. Border is employed to impart the reading atmosphere. The border may be light or heavy, obvious, plain or fanciful. The border may also contain a logo.

3. Caption
It refers to the subtitle. But in most of the advertisement it is converted into heading or sub-heading.

4. Coupon
Coupon is that part of the advertisement which is intended for the convenience of the prospective customer in communicating with the advertiser. The coupon must contain the name and full postal address of the firm followed by the offer. The offer should be brief and clear. There should be space for name and address of the prospective customer. The usual shape of the coupon is triangular or rectangular.

5. Decoration
Advertisement decoration is the ornament of the advertisement. This is done to emphasis the advertisement message.

6. Heading
The heading or headline is defined as the title of the advertisement. The words in the heading should be short.

7. Illustration
Illustrations are the part of layout that pictures the basic theme of the advertisement. It has the power to capture the attention of the reader. The advertisements become richer by the use of illustrations.

8.Mascot
It is known as the trade character or trade figure. It is an illustration of either a real or an imaginary figure or personality given in the advertisement.

9. Name Plate (logo)
The name plate or name block is the signature of the advertiser. It represents the personality of the company and its product.

10. Price
It is another part of layout. The price of the product should be featured clearly. The price is usually taken in the concluding lines of the copy.

11. Product
It refers to the representation of the product offered for sale. A very popular practice is to show the product in use with illustrations.

12. Slogan
Slogan is a sales argument. The arrangement of slogan in the layout is determined by the importance of its relation to the advertising message.

13. Space
Space refers to the entire space left in the space hired by the advertiser. This depends on the design of the copy.

14. Subheading
It is a secondary heading. It is given to support the heading or to pick out the various selling points given in the text.

15. Text
Text or body of the advertisement refers to the general reading matter. It is the subject matter of the copy. It should be neither too wide nor too narrow.

16. Trade mark
It is a word or design by which a product is defined. If the trade, marks are registered it can be included in the layout.

Monday, July 9, 2012

CLASSIFICATION OF ENTREPRENEURS

The entrepreneurs have been broadly classified according to
  • Types of business
  • Use of professional skill
  • Motivation
  • Stages of development

ENTREPRENEURS ACCORDING TO TYPES OF BUSINESS
  • Business entrepreneurs are those individuals for a new product or service and then translate the same into business reality. Tap both production and marketing resources to develop a new business opportunity. Setup big establishment or small unit such as printing press, textile processing house, advertising agency, readymade garments or confectionery. In majority of cases, entrepreneurs are found in small trading and manufacturing business. Entrepreneurship flourishes when the size of business is small.
  • Industrial entrepreneurs are essentially a manufacturer who identifies potential needs of customers and products or service to meet the marketing needs. He should have the ability to convert economic resources and technology into a profitable venture.
  • Corporate entrepreneur is an individual who demonstrates his innovative skill in organizing and managing corporate undertaking. He plans, develop and manage a corporate body.
  • Agricultural entrepreneur are the ones who undertake agricultural activities such as raising and marketing of crops, fertilizers and other inputs of agriculture. They are motivated to improve agriculture through mechanization, irrigation, and application of technologies for dry land agricultural products.

ENTREPRENEURS IN TECHNOLOGY

  • Technical entrepreneur is the one who is essentially a craftsman. He develops improved quality of goods because of his craftsmanship. He concentrates more on production than on marketing. He demonstrates his innovative capabilities in matter of production of goods and rendering of services.
  • Non- technical entrepreneur are those who are not concerned with the technical aspects of the product in which they deal. They are concerned only with developing alternative marketing and distribution strategies to promote their business.
  • Professional entrepreneur is interested in establishing a business but does not have interest in managing or operating it once it is established. He sells out the running business and starts another venture with the sales proceeds.

ENTREPRENEUR AND MOTIVATION

An entrepreneur is motivated to achieve or prove his excellence in job performance. He influences others by demonstrating his business acumen.

  • Pure entrepreneur is an individual who is motivated by psychological and economic rewards. He undertakes entrepreneurial activity for his personal satisfaction in work, ego and status.
  • Induced entrepreneur is one who is induced to take up an entrepreneurial task due to policy measures of the government that provides assistance, incentives, and concessions and other facilities to start a venture. Enter business due to financial, technical and other facilities provided to them by the state agencies to promote entrepreneurship.
  • Motivated entrepreneur: they come into being because of the challenge involved in developing and marketing a new product for the satisfaction of consumers. If the product succeeds, the entrepreneur is further motivated for launching of newer products.
  • Growth and entrepreneur are those who take up a high growth industry which has substantial growth prospects. Super growth entrepreneurs are those who show enormous growth or performance in their venture.

ENTREPRENEUR AND STAGES OF DEVELOPMENT

  • First generation entrepreneur is the one who starts an industrial unit by his innovative skill. He is the one who combines different technologies to produce a marketable product or services.
  • Modern entrepreneur is one who undertakes those ventures which go well with the changing demand in the market. He undertakes those ventures that suit the current market needs.
  • Classic entrepreneur is one who is concerned with maximizing the economic returns at consistent level. He is concerned more about the survival of the firm with or without an element of growth. Apart from the above, there are entrepreneurs who can be classified into innovative and imitative categories.
  • Innovating entrepreneurs are generally aggressive in collecting information, analyzing and experimenting attractive possibilities into practice. They are quick to convert old established products or services by changing their utility, their value, their economic characteristics into something new, attractive and utilitarian. They can see the opportunity for introducing a new technique of production process or a new commodity or a new service or even the reorganization of an existing enterprise. They are very commonly found in developed countries while there is dearth of such entrepreneurs in underdeveloped countries. They are always creative and bringing in innovation in their work.
  • Imitative entrepreneurs are ready to adopt and are more flexible in imitating techniques developed by others. They exploit opportunities as they come and are mostly on a small scale. He is more of an organizer of factors of production than a creator. In the context of a poor country, he is definitely a change agent and hence he is important in underdeveloped countries.

Principles of Design and Layout

It is not necessary that all elements of advertisement copy must form part of the copy. They appear in today’s ads with varying degree of frequency. The components of the copy must be decorated or positioned on the basis of certain basic principals regardless of the number of elements in an add. The following five principles of good composition are important to anyone who creates or evaluates the advertisement - (1) Balance ; (2) Proportion (3) Contrast and emphasis, (4) Eye –movement , and (5) Unity.

(1) BalanceA layout may be called balanced if equal weight or forces are equidistant from a reference point or a light weight is placed at a greater distance from the reference point than a heavy weight. Balance is the law of nature. The reference point or fulcrum is the optical centre of the advertisement. The artists with a given area or space, are to place all the elements with in this space. Optical centre of fulcrum of the ad is often a point approximately two – thirds of the distance forms the bottom. It is the reference of the layout.

(2) Proportion- Proportion is closely related to balance since it refers to the division of space among layout elements for a pleasing optical effect. Good proportion in an advertisement requires a desired emphasis on each element in terms of size and position. If the major appeal in an advertisement is product’s price. The price should be displayed in proportionate space position.

(3) Contrast and EmphasisContrast means variety. It gives life to the whole composition and adds emphasis to selected important elements. An advertiser always looks to advertisements from completion point of view and desires the policy of the most important elements to attract the attention of the people. An advertisement with good contrast may attract the attention of customers Contrast maybe visible in a number of ways. It may be witnessed through sizes, shapes and colours. Different colours sizes and shapes of elements in an advertisement add contrast. The varying directions, of design elements (Vertical trees, horizontal pavements arched rainbows) add contrast; too there must be sales communication purpose behind every layout decision made.

(4) Eye MovementEye movement is the design principle which helps move the eyes of the readers from element to element in the order given in the hierarchy of effects model for effective communication of the message in advertising. An effective ad uses movement to lead its reading audience from initial message awareness through product knowledge and brand preference, to ultimate action (intent to purchase). Direction and sequence are two terms for the same element and artists may perform it in many ways. Mechanical eye direction may be created by devices such as pointing fingers lines arrows or even a bouncing ball that moves from unit to unit. Planned eye movement should follow the established reading patterns too, such as the tendency to start to top left corner of a page and read through to the lower right corner. The eyes also moves naturally from large items to small from dark to light and from colours to not – colours.

(5) Unity or HarmonyUnity or harmony is another important design principle. Although each element should be considered as a separate unit in striving for balance, proportion, contrast and eye movement. The complete layout or design should appear as a unified composition. Common methods of securing unity in layouts are (i) use of consistent typographical design. (ii) repetition of the same shapes and motifs, (iii) the overlapping of elements (iv) use of a boarder to hold elements together and (v) avoidance of too much which space between various element.

Although unity and contrast seem conflicting but they function quite smoothly together if, they operate at cross purposes – if the artists strive for balance here too as well as in the layout overall. Unity contributes orderliness to elements – a state of coherence. And if they are properly placed. Contrasting Size shapes colours and directions can flow together beautifully.

Advertisement Layout

Meaning

Layout is the logical arrangement of components of an advertisement in the copy. It refers to the overall structure, the position assigned to the various elements of the copy and illustrations. It is deciding on the placement of headlines, copy, illustrations, marketer’s name, logo and the amount of free space in an advertisement copy. Thus, the physical arrangement of all the elements of advertisement is called layout. It is concerned with placing all the elements of the advertisement more attractively within the allotted space and time. The pattern of layout varies according to the medium to be used.

Definition

According to Sandage and Fryburger, “The plan of an advertisement, detailing the arrangement of various parts and relative spatial importance of each is referred to as layout”.

Preparation of a layout

A layout is a plan for the guidance of the printer in arranging the units of an advertisement. Usually the layout man or visualiser prepares a rough Layout which is submitted to the client for approval and he draws the finished layout for the guidance of the printer. In the creation of television commercials the layout is known as a ‘Storyboard’ which a series of pictures is of frames that coincides with the audio or sound script. A Radio does not utilize illustrations, except those that the medium can create with a description. Television, of course makes an extensive use of illustrations. A well conceived layout can be instrumental in obtaining attention comprehension, attitude change and behavior change. Advertisers employ various layout techniques to attain their objectives.

Functions of an Advertising Layout

(i) Assembling Different PartsThe main function of layout is to assemble and arrange the different parts or elements of an advertisement illustration, headline sub headlines, slogans, body text and the identification mark etc. And boarder and other graphic materials – into a unified presentation of the sales message. In all the layouts present these elements in the same size, form, shape, position and proportion as desired by the advertiser in the final ad, proof , Thus layout gives both creative personals (copywriter and artists ) and the advertiser who pays for it a good idea of how the finished ad will finally appear.

(ii) Opportunity of Modification - The layout offers an opportunity to the creative teams, agency management and the advertiser to suggest modification before its final approval and actual construction and production begins.

(iii) Specification for CostsThe layout provides specification for estimating costs and it is a guide for engravers typographers and other craft workers to follow in producing the advertisement.